2nd International Conference of Photography & Theory
Photography and Museums: Diplaying and Displayed
30 NOVEMEBER 30–2 DECEMBER, 2016
AYIA NAPA, FAMAGUSTA
W. J. T. Mitchell
CALL FOR PAPERS
Research in historical, artistic and vernacular photography has been rapidly expanding in the past few years. Responding to this trend, the International Conference of Photography and Theory (ICPT) was created with an aim to provide an outlet for an interdisciplinary and critical theoretical exploration of photography and photographic practices. The 2nd International Conference of Photography and Theory (ICPT2012) aims once again at bringing together researchers and practitioners from diverse fields of study who share a common interest in photography. This year’s topic is Photography and Museums: Displayed and Displaying.
Photography has been historically adopted by various types of museums—art, anthropological, historical, and archaeological—as evidence for the objects on view or as a supporting document to events, stories or other artifacts already on display. In other cases photography has been displayed as an autonomous ‘artifact’ or an art form demanding aesthetic consideration. However, it was not until recently that photography in museums was critically re-evaluated in order to examine photography’s impact on the formation of cultural, historic or social narratives and identities. In addition, museums but also contemporary artists have been showing a renewed interest in photography and its potential to challenge museum orthodoxy, as much as in the medium’s expanding possibilities through the use of new media technologies.
This conference aims to critically investigate the relationship between photography and museums; the impact of the medium on the nature and character of the museum and of the museum experience, but also the impact of the institution on the status and development of photography. We invite proposals for 30-minute presentations (20 minutes presentation and 10 minutes for discussion) from various disciplines, such as: photography, art history and theory, visual sociology, anthropology, museology, philosophy, ethnography, cultural studies, visual and media studies, communications, and fine and graphic arts. These should present an in-depth investigation of the relationship between museums and photography historically, philosophically or through specific case studies.